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Release date - 2019 / India / cast - Aparshakti Khurana / Pati Patni Aur Woh is a movie starring Kartik Aaryan, Bhumi Pednekar, and Ananya Panday. Chintu Tyagi is an ordinary, middle class man who finds himself torn between his wife and another woman / writed by - Ravi Kumar / director - Mudassar Aziz. Wiki pati patni aur woh. Pati patni aur woh movie review. Pati patni aur woh full movie 2019. Pati patni aur woh songs udd gaye. Pati patni aur woh dilbara. Pati patni aur woh hd. Pati patni aur woh movie songs download. Pati patni aur woh jukebox. Pati patni aur woh kiss.

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The trials and triumphs of Malti, an acid attack survivor. From the investigation of the attack to the court proceedings, the medical treatment to the emotional healing. Chhapaak is the story of the unquashable human spirit
Writed by - Atika Chohan
Release Date - 2020
Country - India
Genres - Biography
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Chapaak song. Chhapaak fail. Chhapaak first look. Chhapaak online. Chhapaak amc. Chhapaak Theatrical release poster Directed by Meghna Gulzar Produced by Fox Star Studios Deepika Padukone Govind Singh Sandhu Meghna Gulzar Written by Atika Chohan Meghna Gulzar Starring Deepika Padukone Vikrant Massey Music by Songs: Shankar–Ehsaan–Loy Score: Shankar–Ehsaan–Loy Tubby Cinematography Malay Prakash Edited by Nitin Baid Production company Fox Star Studios Ka Productions Mriga Films Distributed by Fox Star Studios Release date 10 January 2020 Running time 120 minutes [1] Country India Language Hindi Budget ₹ 35–40 crore [2] Box office est. ₹ 55. 44 crore [3] Chhapaak ( transl.  Splash) is a 2020 Indian Hindi -language drama film directed by Meghna Gulzar and produced by Deepika Padukone and Meghna Gulzar in collaboration with Fox Star Studios. Based on the life of Laxmi Agarwal, it stars Padukone as an acid attack survivor, alongside Vikrant Massey. [4] The film was announced on 24 December 2018 by Padukone on her Twitter account; it marks her first production venture. Filming took place from March to June 2019 in New Delhi and Mumbai. [5] Days before the film's release, Padukone visited only left-wing students who were attacked during the 2020 JNU Attack, which led to a divided response on Twitter. A few right-wing magazines later wrongly reported that the religion of the acid thrower in the film was changed from a Muslim into a Hindu character. The film was theatrically released in India on 10 January 2020. [6] The film was allowed by the government to be exhibited without payment of taxes in the states of Chhattisgarh, Madhya Pradesh and Rajasthan. [7] [8] [9] It received positive reviews from critics. [10] [11] Premise [ edit] The film is based on the real-life story of acid attack survivor Laxmi Agarwal. [12] Cast [ edit] Release [ edit] On 10 December 2019, the official trailer was launched by Fox Star Studios. The film was theatrically released on 10 January 2020 in India. [15] The film was allowed by the government to be exhibited without payment of taxes in the states of Chhattisgarh, Madhya Pradesh and Rajasthan. [7] [8] [9] On 7 January 2020, Padukone joined a protest-gathering at Jawaharlal Nehru University against the 2020 JNU Attack against left wing students and passage of CAA 2019. [16] [17] Bharatiya Janata Party ’s student wing, the Akhil Bharatiya Vidyarthi Parishad is blamed for the attack. [18] The visit angered BJP leaders who expressed it in social media. [18] Soon enough, the hashtags BoycottChhapaak and BlockDeepika began trending in Indian Twitter with members of the incumbent Bharatiya Janata Party contributing in its proliferation. [16] [19] [20] [21] In response, ISupportDeepika was floated which gained greater traction and by the end of the day, her follower count had increased significantly. [20] [22] Actor Varun Dhawan talked about similar calls for boycott of his film Dilwale, and stated that the boycott may hurt the business, so it is used as a scare tactics meant to prevent people from expressing their opinion in public. He supported Deepika in condemning the attacks stating it is wrong to not do it. [23] On 8 January, social media users criticized the filmmaker Meghna Gulzar alleging that she changed the name and religion of the characters in the film. [24] Several right-wing magazines, Swarajya and Opindia wrongly reported that the name of the attacker who was a Muslim in real life, was changed into a Hindu name "Rajesh", in the film. [18] BJP MP and Minister of State for Environment, Forest and Climate Change Babul Supriyo called the change deliberate and "absolute hypocrisy". [25] BJP MP from South Delhi, Ramesh Bidhuri made calls to public for a boycott of the movie. [25] BJP MP Subramanian Swamy called it a defamation and informed legal action against the makers for this. [18] Mumbai Mirror reported that in past the filmmakers making films based on real life incidents had the liberty to change the names as well as the storyline in their films. [24] The visit to JNU by Deepika was seen by Mumbai Mirror as the reason for an aggressive stand was taken against the film. [24] These claims were debunked by the co founder of Newslaundry Abhinandan Sekhri, who had watched a special screening of the film Chhapaak in Delhi. He stated that the claims of the attacker belonging to the Hindu religion were false, since the movie showed him as a Muslim. [18] Journalist Radhika Sharma from PTI reported that Rajesh was the name of Malti's boyfriend. The acid attacker was called Bashir Khan urf Babboo in the film. [18] Advocate Aparna Bhat, who represented Agarwal in the case fought at Patiala House Courts, pursued legal action against the makers for not mentioning her in the film, "to protect her identity and preserve her integrity". [26] [27] Reception [ edit] On the review aggregator website Rotten Tomatoes, the film holds a rating of 86% based on 14 reviews. [28] Teo Bugbee of The New York Times reviewed that Chhapaak "succeeds in balancing extremes. It is at once a pleasing and buoyant inspirational story, and a realistic depiction of the brutal aftermath of acid attacks. " [29] Shubhra Gupta of The Indian Express credited the film for portraying "drama without dreaded melodrama" and highlighted Padukone's "solid, realised performance" to be its prime asset. [30] Anna tticad of first post in a mixed review wrote"The blend Massey achieves is what Chhapaak needed as a whole. Without that, what we are left with are good intentions, a heart in the right place, a major star taking a huge risk with an unorthodox role and a bunch of pluses that somehow do not come together to deliver an immersive experience. " [31] Writing for The Hindu, Namrata Joshi summarised that "Padukone’s performance and Meghna Gulzar’s direction ensure that Chhapaak is like a splash that leaves you misty with emotions, if not entirely drenched". [32] Ankur Pathak of HuffPost labelled it "a quietly powerful social commentary, a film that never allows you to be comfortable" and considered Padukone's performance to be a career best. [33] Uday Bhatia of Mint wrote that it "earnestly highlights a depressingly common horror", adding that it "deals squarely with its subject without quite transcending it". [34] In a mixed review, Anupama Chopra praised Padukone's performance but added that the film "hovers dangerously close to becoming a public service announcement. The messaging becomes bigger than the movie, which reduces the impact". [35] Conversely, Sukanya Verma of commended Gulzar for documenting " Chhapaak ' s grim reality barefacedly without losing sight of its character's quiet determination to fight the reasons that make such heinous crimes possible in the first place". [36] Box office [ edit] Chhapaak earned ₹ 4. 77 crore at the domestic box office on its opening day. On the second day, the film collected ₹6. 90 crore. On the third day, the film collected ₹7. 35 crore, taking total opening weekend collection to ₹19. 02 crore. [3] As of 7 February 2020, with a net of ₹ 40. 57 crore in India and ₹ 14. 87 crore overseas, the film has a worldwide collection of ₹ 55. 44 crore. [3] Soundtrack [ edit] Chhapaak Soundtrack album by Shankar–Ehsaan–Loy Released 14 January 2020 [37] Recorded 2018–2019 Genre Feature film soundtrack Length 12: 41 Language Hindi Label Zee Music Company Shankar–Ehsaan–Loy chronology The Zoya Factor (2019) Chhapaak (2020) Panga (2020) External audio Official Audio Jukebox on YouTube The film's music is composed by Shankar–Ehsaan–Loy while lyrics are written by Gulzar. Track listing No. Title Singer(s) Length 1. "Nok Jhok" Siddharth Mahadevan 3:58 2. "Chhapaak - Title Track" Arijit Singh 4:39 3. "Khulne Do" Arijit Singh 2:40 4. "Sab Jhulas Gaya" Arijit Singh 1:24 Total length: 12:41 Impact [ edit] Followіng the fіlm's release, the state of Uttarakhand announced a new pensіon scheme for acіd attack survіvors. [38] [39] [40] References [ edit] ^ "Chhapaak (2020)". British Board of Film Classification. Retrieved 4 January 2020. ^ Pal, Deepanjana (11 January 2020). "Chhapaak and Tanhaji: It's not a contest". Hindustan Times. Retrieved 12 January 2020. ^ a b c "Chhapaak Box Office". Bollywood Hungama. Retrieved 8 February 2020. ^ "Vikrant Massey to star opposite Deepika Padukone in film based on Laxmi Agarwal, it's called Chhapaak". Times Now. 19 December 2018. Retrieved 6 March 2019. ^ "Prep for Deepika Padukone's Chhapaak begins, Meghna Gulzar shares first photo, check pic". Daily News and Analysis. 13 February 2019. Retrieved 6 March 2019. ^ "Deepika Padukone's Chhapaak begins, director Meghna Gulzar shares first pic". 14 February 2019. Retrieved 6 March 2019. ^ a b "विरोध के बीच Film 'Chapaak' Madhya Pradesh और Chhattisgarh में हुई Tax Free | Apna MP". News 18. Retrieved 20 January 2020. ^ a b Pandey, Sumit (9 January 2020). "एमपी-छत्तीसगढ़ में 'छपाक' टैक्स फ्री, भाजपा नेता ने कहा- दीपिका का काम नाचने का है, वे वही करें". Dainik Bhaskar (in Hindi). Retrieved 20 January 2020. ^ a b " ' Chhapaak' declared tax-free in Rajasthan". The Week. Retrieved 20 January 2020. ^ Dore, Shalini (9 January 2020). "Bollywood Film 'Chhapaak' Makes Serious Splash". Variety. Retrieved 10 January 2020. ^ Jha, Subhash K. (18 January 2020). "The much lauded Deepika Padukone starrer Chhapaak crashes at the box office, trade experts analyse". Retrieved 18 January 2020. ^ "Deepika Padukone tears up at 'Chhapaak' trailer launch, calls it career's most special film".. Retrieved 20 December 2019. ^ "Deepika's next 'Chhapaak' is a story of undying human spirit". Times Of India. 25 March 2019. Retrieved 25 March 2019. ^ a b Hungama, Bollywood (8 January 2020). "REVEALED: Meet the actor who plays Basheer Shaikh, the acid attacker in Chhapaak: Bollywood News - Bollywood Hungama". Retrieved 9 January 2020. ^ Fox Star Studios (10 December 2019). "Chhapaak - Official Trailer - Deepika Padukone - Vikrant Massey - Meghna Gulzar - 10 January 2020". Retrieved 10 December 2019 – via YouTube. ^ a b "Deepika Padukone shows up at JNU protest, sparks Twitter calls for boycott of 'Chhapaak ' ". The Print. 8 January 2020. Retrieved 8 January 2020. ^ "Bollywood A-lister backs protesting students, faces boycott calls". Reuters. Retrieved 8 January 2020. ^ a b c d e f Pooja Chaudhuri, AltNews in (9 January 2020). "No, Deepika Padukone's 'Chhapaak' does not portray Muslim acid attack convict as Hindu named Rajesh".. Retrieved 9 January 2020. ^ "After #BoycottChhapaak, Offers To Sponsor Movie Tickets Flood Twitter".. Retrieved 8 January 2020. ^ a b "Curious Case of Deepika Padukone Gaining Twitter Followers After #BoycottChhapaak Trends". News18. Retrieved 8 January 2020. ^ Staff, Scroll. "In a bid to #BoycottChhapaak, many trolls tweet cancelled movie tickets – for exactly the same seats".. Retrieved 8 January 2020. ^ Team Koimoi (8 January 2020). "#ISupportDeepika Dominates #BoycottChhapaak As Twitterati Hail Deepika Padukone's Big Step". Koimoi. Retrieved 8 January 2020. ^ " " Tactics To Scare": Varun Dhawan On 'Boycott Chhapaak', Deepika Padukone".. 10 January 2020. Retrieved 10 January 2020. ^ a b c "Chhapaak finds itself in a new controversy, director Meghna Gulzar trolled over changing acid attacker's religion". Mumbai Mirror. 9 January 2020. Retrieved 9 January 2020. ^ a b "Fact check: Did Chhapaak change attacker's religion, name him Rajesh? ". Retrieved 9 January 2020. ^ " ' Chhapaak': Laxmi Agarwal's lawyer to take legal action against the makers of the Deepika Padukone starrer". Retrieved 9 January 2020 – via TIMES OF INDIA. ^ "Lawyer Who Represented Acid Attack Survivor Laxmi Agarwal May Sue Chhapaak Makers". Retrieved 9 January 2020 – via NDTV. ^ "Chhapaak (2020)". Rotten Tomatoes. Retrieved 21 January 2020. ^ Bugbee, Teo (10 January 2020). "Chhapaak Review: Life and Activism After an Acid Attack". The New York Times. Retrieved 10 January 2020. ^ Gupta, Shubhra (9 January 2020). "Chhapaak movie review: Deepika Padukone delivers a solid, realised performance". The Indian Express. Retrieved 9 January 2020. ^ ^ Joshi, Namrata (10 January 2020). " ' Chhapaak' movie review: An emotional force". The Hindu. Retrieved 10 January 2020. ^ Pathak, Ankur (9 January 2020). " ' Chhapaak' Movie Review: Deepika Padukone Delivers Her Career Best In This Quietly Powerful Drama". HuffPost. Retrieved 10 January 2020. ^ Bhatia, Uday (10 January 2020). "Film review: 'Chhapaak' earnestly highlights a depressingly common horror". Mint. Retrieved 10 January 2020. ^ Chopra, Anupama (10 January 2020). "Chhapaak Movie Review: Despite Deepika Padukone's Strong Performance, The Film Doesn't Feel Urgent Enough". Film Companion. Retrieved 10 January 2020. ^ Verma, Sukanya (10 January 2020). "Chhapaak review".. Retrieved 10 January 2020. ^ "Chhapaak - Original Motion Picture Soundtrack". Jio Saavn. ^ "Chhapaak impact: Uttarakhand to start a pension scheme for acid attack survivors". India Today. 12 January 2020. Retrieved 12 January 2020. ^ "Deepika Padukone's 'Chhapaak' inspires Uttarakhand to start a pension scheme for acid attack survivors". The Times of India. Retrieved 12 January 2020. ^ "Uttarakhand announces pension for acid attack survivors in state after release of 'Chhapaak ' ". New Indian Express. Retrieved 12 January 2020. External links [ edit] Chhapaak on IMDb Chhapaak at Bollywood Hungama Chhapaak at Rotten Tomatoes.

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Documentary / rating 38 votes / directed by Michael Pack / Country USA / / resume Created Equal: Clarence Thomas in His Own Words is a movie starring Clarence Thomas, Joe Biden, and Anita Hill. A controversial figure, loved by some, reviled by others, few know much more than a few headlines and the recollections. Created equal 3a clarence thomas in his own words list. Created Equal: Clarence Thomas in His Own words to say. Created Equal: Clarence Thomas in His Own Words full movie 123movies english.

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Edit Storyline Although Clarence Thomas remains a controversial figure, loved by some, reviled by others, few know much more than a few headlines and the recollections of his contentious confirmation battle with Anita Hill. Yet, the personal odyssey of Clarence Thomas is a classic American story and should be better known and understood. His life began in extreme poverty in the segregated South, and moved to the height of the legal profession, as one of the most influential justices on the Supreme Court. Created Equal: Clarence Thomas in His Own Words tells the Clarence Thomas story truly and fully, without cover-ups or distortions. The documentary will open in movie theaters nationally on January 31, 2020, followed by a national broadcast on PBS in May 2020. Educational use is forthcoming. Plot Summary | Add Synopsis Taglines: Unprecedented access. The story you didn't know. Motion Picture Rating ( MPAA) Rated PG-13 for thematic elements including some sexual references Details Release Date: 31 January 2020 (USA) See more » Also Known As: Created Equal: Clarence Thomas in His Own Words Box Office Opening Weekend USA: $74, 577, 2 February 2020 Cumulative Worldwide Gross: $279, 527 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».

Dang,Thomas is a badass, telling it like it is and standing firm like a rock. hope Kavanaugh does the same. Created equal clarence thomas in his own words release date. Created Equal: Clarence Thomas in His Own wordsmith. Just watched it o OnDemand. Was remarkably neutral, very surprised by that given how left Kerry Washington and Wendell Pierce are. If one did not know better then one would wonder who was telling the truth. The movie left that open. The movie sorta portrayed a Senator Kennedy staffer as out to throw ANYTHING at Tjomas to stop him. If I did not know better I would wonder if this movie was green lighted when many thought Biden would run against Hillary Clinton in 2016. If he had ran this film would have been a problem for him.

Created equal clarence thomas in his own words amazon. Created equal clarence thomas in his own words videos. A brave victim of David Brock. Created equal clarence thomas in his own words showtimes. This is a great man. God bless sir and thank you for everything you do. Created equal clarence thomas in his own words documentary. High tech lynching. Ole Slo-Joe should've been the one being all of his then there was Fat Ted, the Coward-Killer of then Anita Hill who paved the road for Blasey Ford to put on her act! We never learn. You can see the hate in Joe Biden's eyes. He hates Clarence Thomas. Leahy hates him, too - Who does this uppity negro think he is, running for the court? Oh, here comes Orrin Hatch, labelled nazi, to defend the man on the content of his character.

JUSTICE THOMAS IS A GOOD MAN and a VERY BRILLIANT JURIST! GOD BLESS JUSTICE THOMAS. Created Equal: Clarence Thomas in His with maximum speed. #created equal: clarence thomas in his own wordsWatchStream movie vimeo "Watch~Created~Equal: Clarence~Thomas~in~His~Own~Words~Online~Showtimes. At least it was not a circus. people acted civil... I dont hear Dam Kamala Harris booker and Blumnthaul talking out of order like children. Created equal clarence thomas in his own words rotten tomatoes.


Created equal clarence thomas in his own words release. Created equal 3a clarence thomas in his own words cut off. February 8, 2020 1:31PM PT The Supreme Court justice offers a monologue of self-justification in a talking-head memoir that's revealing even when it doesn't want to be. If you watch “Created Equal: Clarence Thomas in His Own Words” looking for a clue as to Thomas’ inner workings, a key to who Clarence Thomas really is, then you’ll have to wait a while before it arrives. But it does. The reason it takes so long is that Thomas, dressed in a red tie, light shirt, and blue jacket (yes, his entire outfit is color-coordinated to the American flag), his graying head looking impressive and nearly statue-ready as he gazes into the camera, presents himself as a regular guy, affably growly and folksy in a casual straight-shooter way. And while I have no doubt that’s an honest aspect of who he is, it’s also a shrewdly orchestrated tactic, a way of saying: Don’t try to look for my demons — you won’t find them. The revealing moment comes when Thomas recalls the 1991 Senate hearings in which he was grilled on national television as part of the Supreme Court confirmation process. Does he go back and talk about Anita Hill? Yes, he does (I’ll get to that shortly), but that isn’t the revealing part. Discussing Anita Hill, Thomas reveals next to nothing. His métier now is exactly what it was then: Deny, deny, deny. Thomas tips his hand, though, when he recalls the moment that a senator asked if he’d ever had a private conversation about Roe v. Wade. At the time, he said no — and now, 30 years later, that “no” has just gotten louder. In hindsight, he’s incredulous that anyone would simply presume that he’d ever had a private discussion about Roe v. He’s almost proud of how wrong they were to think so. In a Senate hearing, when you say that you’ve never had that kind of conversation, it’s in all likelihood political — a way, in this case, of keeping your beliefs about abortion ambiguous and close to the vest. A way of keeping them officially off the table. In “Created Equal, ” however, Thomas is being sincere. He has always maintained that he finds it insulting — and racist — that people would expect an African-American citizen like himself to conform to a prescribed liberal ideology. And in the same vein, he thinks it’s ridiculous that a Senate questioner expected him to say that he’d ever spent two minutes sitting around talking about Roe v. Wade. But talk about an argument that backfires! I’m not a federal judge (and the last time I checked, I’ve never tried to become a Supreme Court justice), but I’ve had many conversations in my life about Roe v. Why wouldn’t I? I’m an ordinary politically inclined American. I mean, how could you not talk about it — ever? Abortion rights, no matter where you happen to stand on them, are a defining issue of our world. And the fact that Clarence Thomas was up for the role of Supreme Court justice, and that he still views it as A-okay to say that he’d never had a single discussion about Roe v. Wade, shows you where he’s coming from. He has opinions and convictions. But he is, in a word, incurious. He’s a go-along-to-get-along kind of guy, a man who worked hard and achieved something and enjoyed a steady rise without ever being driven to explore things. He was a bureaucrat. Which is fine; plenty of people are. But not the people we expect to be on the Supreme Court. “Created Equal” is structured as a monologue of self-justification, a two-hour infomercial for the decency, the competence, and the conservative role-model aspirationalism of Clarence Thomas. Since he followed the 1991 Senate hearings, even in victory, by going off and licking his wounds, maintaining a public persona that was studiously recessive, there’s a certain interest in “hanging out” with Thomas and taking in his cultivated self-presentation. The movie, in its public-relations heart, is right-wing boilerplate (though it’s mild next to the all-in-for-Trump documentary screeds of Dinesh D’Souza), and there are worse ways to get to know someone like Thomas than to watch him deliver what is basically the visual version of an I-did-it-my-way audiobook memoir, with lots of news clips and photographs to illustrate his words. The first half of the movie draws you in, because it’s basically the story of how Thomas, born in 1948 in the rural community of Pin Point, Georgia, was raised in a penniless family who spoke the creole language of Gullah, and of how he pulled himself up by his bootstraps. After a fire left the family homeless, he and his brother went off to Savannah to live with their grandfather, an illiterate but sternly disciplined taskmaster who gave Thomas his backbone of self-reliance. He entered Conception Seminary College when he was 16, and he loved it — but in a story Thomas has often told, he left the seminary after the assassination of Martin Luther King Jr. when he overheard a fellow student make an ugly remark about King. That’s a telling anecdote, but there’s a reason Thomas showcases it the way he does. It’s his one official grand statement of racial outrage. In “Created Equal, ” he talks for two hours but says next to nothing about his feelings on the Civil Rights movement, or on what it was like to be raised in the Jim Crow South. As a student at Holy Cross, the Jesuit liberal arts college near Boston, he joined a crew of black “revolutionaries” and dressed the part in Army fatigues, but he now mocks that stage of his development, cutting right to his conservative awakening, which coalesced around the issue of busing. Thomas thought it was nuts to bus black kids from Roxbury to schools in South Boston that were every bit as bad as the ones they were already attending. And maybe he was right. Thomas, using busing and welfare as his example, decries the liberal dream as a series of idealistic engineering projects that human beings were then wedged into. There may be aspects of truth to that critique, but liberalism was also rolling up its sleeves to grapple with the agony of injustice. The philosophy that Thomas evolved had a connect-the-dots perfection to it: Treat everyone equal! Period! How easy! It certainly sounds good on paper, yet you want to ask: Couldn’t one use the same logic that rejects affirmative action programs to reject anti-discrimination law? Thomas projects out from his own example: He came from nothing and made something of himself, so why can’t everyone else? But he never stops to consider that he was, in fact, an unusually gifted man. His aw-shucks manner makes him likably unpretentious, but where’s his empathy for all the people who weren’t as talented or lucky? In “Created Equal, ” Thomas continues to treat Anita Hill’s testimony against him as part of a liberal smear campaign — and, therefore, as a lie. He compares himself to Tom Robinson, the railroaded black man in “To Kill a Mockingbird, ” viewing himself as a pure victim. Thomas’ wife, Virginia Lamp, who sat by his side at the hearings (and is interviewed in the film), stands by him today. But more than two years into the #MeToo revolution, the meaning of the Clarence Thomas/Anita Hill Senate testimony stands clearer than ever. It was the first time in America that a public accusation of sexual harassment shook the earth. The meaning of those hearings transcends the fight over whether one more conservative justice got to be added to the Supreme Court. Thomas now admits that he refused to withdraw his nomination less out of a desire to serve on the Supreme Court than because caving in would have been death to him. “I’ve never cried uncle, ” he says, “whether I wanted to be on the Supreme Court or not. ” It’s an honest confession, but a little like the Roe v. Wade thing: Where was his intellectual and moral desire to serve on the court? By then, he’d been a federal judge for just 16 months, and he admits that he wasn’t drawn to that job either; but he found that he liked the work. Thomas also explains why, once he had ascended to the high court, he went through a period where, famously, he didn’t ask a single question at a public hearing for more than 10 years. His rationalization (“The referee in the game should not be a participant in the game”) is, more or less, nonsense. But his silence spoke volumes. It was his passive-aggressive way of turning inward, of treating an appointment he didn’t truly want with anger — of coasting as a form of rebellion. It was his way of pretending to be his own man, even as he continued to play the hallowed conservative role of good soldier. After South by Southwest was cancelled on Friday over concerns about the coronavirus, two of its founders told the Austin Chronicle that the film festival doesn’t have insurance to cover the cancellation. Nick Barbaro, a co-founder of SXSW who is also the publisher of the Chronicle, told the paper that the festival does not have [... ] Leaders of the Directors Guild of America have approved a three-year successor deal to the DGA master contract, triggering a ratification vote by the 18, 000 members. The DGA national board announced Saturday that it had approved the deal unanimously. The guild revealed that the agreement includes a significant increase in residuals for high-budget streaming content, pension, [... ] In “Last and First Men, ” Tilda Swinton is the literal voice of the future: a disembodied narrator from the hyper-evolved “eighteenth species” of humanity, calmly but desolately reaching out to us from a world some way past 2, 000, 000, 000 A. D. Given that we always suspected as much about Tilda Swinton, it’s a comforting choice: the one [... ] The Cinequest Film & Creativity Festival will push back its second week of programming to August due to concerns over the coronavirus. Co-founders Halfdan Hussey and Kathleen J. Powell made the announcement in a statement released on Saturday. “We want to make clear that our very first concern is for the health and well-being of [... ] Disney-Pixar’s fantasy film “Onward” is dominating North American moviegoing this weekend, opening with $40 million at 4, 310 locations, estimates showed on Saturday. The figure is at the low end of pre-release forecasts, which had pegged “Onward” for a launch in the $40-45 million range. The movie centers on a pair of teenage elf brothers — [... ] The American Film Institute has postponed its Life Achievement Award gala due to concerns over the spread of coronavirus. The annual ceremony, set this year to honor Julie Andrews, was scheduled to take place April 25 at the Dolby Theatre in Los Angeles. The event will be rescheduled for a date in early summer. “AFI’s [... ] Dave Bautista’s “My Spy” is moving its North American release date back a month to April 17 in order to take advantage of a recently cleared slot for the family comedy. After “No Time to Die” was pushed from April 10 to November due to the coronavirus slowing the global box office, “Trolls World Tour” [... ].

Released January 31, 2020 PG-13, 1 hr 56 min Documentary Tell us where you are Looking for movie tickets? Enter your location to see which movie theaters are playing Created Equal: Clarence Thomas in His Own Words near you. ENTER CITY, STATE OR ZIP CODE GO Sign up for a FANALERT® and be the first to know when tickets and other exclusives are available in your area. Also sign me up for FanMail to get updates on all things movies: tickets, special offers, screenings + more. Created Equal: Clarence Thomas in His Own Words: Trailer 1 1 of 1 Created Equal: Clarence Thomas in His Own Words Synopsis With unprecedented access, the producers interviewed Justice Clarence Thomas and his wife, Virginia, for over 30 hours of interview time, over many months. Justice Thomas tells his entire life’s story, looking directly at the camera, speaking frankly to the audience. Read Full Synopsis Movie Reviews Presented by Rotten Tomatoes More Info Rated PG-13 | For Some Sexual References and Thematic Elements.

Created equal clarence thomas in his own words pbs. Video starts at 18:03. Not bad at all. Good acting, worth watching. Actually this kinda church reminds me of the actual Muslim one. It will do ANYTHING to preserve itself and to stay in power over the meek. Iam a cafeteria Catholic who would have known awesome movie though... Nuns have been Implicated in Child Abuse and covering up as well. Created Equal: Clarence Thomas in His Own words to eat. I believe the former administration assassinated a Supreme Court justice! How despicable is that. Created equal: clarence thomas in his own words youtube. Created equal clarence thomas in his own words near me. Movies | ‘Created Equal’ Review: A Justice of Few Words Finds His Voice Clarence Thomas is usually silent on the Supreme Court, but he had plenty to say to some friendly filmmakers. Credit... Manifold Productions Created Equal: Clarence Thomas in His Own Words Directed by Michael Pack Documentary PG-13 1h 56m The most obvious selling point of “Created Equal: Clarence Thomas in His Own Words” also happens to be its most conspicuous deficiency. Thomas has distinguished himself with his silence on the Supreme Court; in 2016, he asked his first question from the bench in a decade. (Three years later, he asked another. ) Speaking directly to the camera in “Created Equal, ” Thomas is veritably chatty, reminiscing about his childhood, extolling the work of Ayn Rand, smiling wryly at his own quips. The producers, Michael Pack and Gina Cappo Pack, spent more than 30 hours interviewing Thomas and his wife, Virginia. Simply getting to watch Thomas expound on his thoughts for an extended length of time constitutes its own kind of novelty — a surprise that begins to wear off when it becomes clear that Thomas will mostly be rehashing the life story he already recounted in his 2007 memoir, “My Grandfather’s Son. ” That memoir was a fascinating document — shrewdly evasive yet occasionally revealing. This new film, by contrast, is about as revelatory as a campaign ad. The only talking heads are Thomas’s and Virginia’s; no other perspectives are offered. Funders for the project include conservative foundations belonging to the Kochs and the Scaifes. Michael Pack, who also directed the film, has written in praise of Stephen K. Bannon’s cultural production efforts. “Documentaries, ” Pack wrote in 2017, “have been the almost exclusive playground of the Left. ” Thomas recounts the major moments in an undeniably eventful life. He supported the black power movement in the ’60s and ’70s and voted for Ronald Reagan in 1980; his conservative turn, he says, was the inevitable reaction to liberal hypocrisy. Clips of Anita Hill testifying at Thomas’s confirmation hearings in 1991 appear in the second half of the film, after the filmmakers have taken care not to disturb their admiring portrait of Thomas as a faithful Christian and doting family man. Hill’s recollections of sexual harassment get predictably cast as part of a feminist smear campaign designed to destroy him. But the overriding tenor of this documentary is triumphant and upbeat. Thomas’s journey is intermittently visualized by footage from inside a boat as it makes its way through marshy wetlands before arriving, just as the sun is setting, at a sturdy dock. If “Created Equal” is trying to promote the conservative cause, it does so gently, and blandly. The only moment of mild discomfort occurs when the filmmakers ask Thomas about the end of his first marriage. The otherwise voluble Thomas signals that he’ll be having none of it, turning momentarily awkward and taciturn: “Yeah, it was, you know, you live with it. ” Created Equal: Clarence Thomas in His Own Words Rated PG-13 for the unavoidable segment on sexual harassment. Running time: 1 hour 56 minutes.

So weird to hear Joe Biden speak about an issue with so many pictures of him making females uncomfortable by touching them, both young and old. Creepy. Created equal 3a clarence thomas in his own words karaoke. Wow! Clarence Thomas went in.

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But I liked the film, Sandler was great, I never imagined he could do something like this. All the supporting cast was great. And KG? Who knew? He was fantastic. What a performance!
Film reminded me of Bad Lieutenant with Harvey Keitel, of course.
Biggest complaint was the electronic soundtrack, it was so annoying for much of the film.
This is not your Adam Sandler of Happy Gilmore fame. I imagine that there are more than a few unhappy Sandler fans out there who didn't research this film well before seeing it.

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Coauthor: Leilani Holmes

Biography: I'm Leilani, a UK actor who screenwrites & makes films. I like tea & physics.

Writed by: Matthew Pope duration: 85 minutes countries: USA Audience Score: 29 vote Star: Elisabeth Röhm.

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∑in Hindi Movie Stream Playmobil: The Movie





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User rating=4,8 of 10 star

Creators=Greg Erb, Lino DiSalvo
resume=Animated feature film inspired by the Playmobil brand toys
Actor=Daniel Radcliffe

Movie stream playmobil the movie

Movie Stream Playmobil: the movie. What, Kingdom of Lost Toys or something like that? Sounds a lot like the Island of Misfit Toys. Disney is now stealing from Rudolph the Red-Nosed Reindeer. Movie stream playmobil the movie 2019. Movie Stream Playmobil: The movie page imdb. Movie stream playmobil 3a the movie karaoke. Truly an underrated gem. The action is great, the racial slurs are a bit extreme at points, and the gore is too much. And it's perfect. Making this movie R rated was a great decision made by the director. Seeing Playmobil nudity was at first a bit off-putting, but it was what this movie needed. They gave Lino DiSalvo full control. Now, watch the box office explode.

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Movie plot When her younger brother Charlie suddenly disappears into the magical, animated universe of PLAYMOBIL®, Marla embarks on the adventure of a lifetime to bring him home. Setting off on an incredible journey through new and exciting themed worlds, Marla teams up with various strange and heroic companions, including: Del, a crazed food truck driver; Rex Dasher, a suave and fearless secret agent; a loyal and endearing robot; a hilarious fairy-godmother, and many others! About the movie: PLAYMOBIL: THE MOVIE is the animated highlight of summer 2019. The first motion picture inspired by the popular and award-winning brand of toys, the movie takes the audience on an epic and hilarious adventure through the fantastic, limitless universe of Playmobil®. With hilarious and endearing characters, thrilling adventures and breathtaking landscapes, the animated story is uniquely fun and original. Director Lino DiSalvo is a Disney® veteran who spent 17 years at Walt Disney Animation Studios. Most recently he served as Head of Animation for the international hit ‘Frozen’. PLAYMOBIL: THE MOVIE is in UK cinemas from August 9th. Gallery.

This Is MY FAVORITE SONG. I thought it was great but more importantly it holds the attention of my 4 year old, which most movies don't do. Movie Stream Playmobil: the moving. Playmobil: The Movie Theatrical release poster Directed by Lino DiSalvo Produced by Aton Soumache Dimitri Rassam Moritz Borman Alexis Vonarb Screenplay by Blaise Hemingway Greg Erb Jason Oremland Story by Lino DiSalvo Based on Playmobil Starring Anya Taylor-Joy Jim Gaffigan Gabriel Bateman Adam Lambert Meghan Trainor Daniel Radcliffe Music by Heitor Pereira Edited by Maurissa Horwitz Production company Method Animation ON Animation Studios DMG Entertainment Distributed by Pathé Distribution Release date 10 June 2019 ( Annecy) 7 August 2019 (France) 6 December 2019 (United States) Running time 99 minutes [1] Country France [2] Language English Budget $40 million [3] Box office $16. 3 million [4] [5] Playmobil: The Movie is a 2019 English-language French computer-animated musical adventure comedy film based on the German building toy Playmobil. The film is directed by Disney veteran Lino DiSalvo, in his directorial debut, written by Blaise Hemingway, Greg Erb and Jason Oremland, and produced by On Animation Studios. The film stars the voices of Anya Taylor-Joy, Jim Gaffigan, Gabriel Bateman, Adam Lambert, Kenan Thompson, Meghan Trainor and Daniel Radcliffe. The film follows a girl named Marla who tries to save her brother from a Playmobil world the two are sucked into, and becomes involved in the midst of a population-capturing scheme by Emperor Maximus. Premiering as the opener of the June 2019 Annecy International Animated Film Festival, Playmobil: The Movie began theatrical runs in France on 7 August 2019 by Pathé, in the United Kingdom on 9 August 2019 by StudioCanal, and in the United States on 6 December 2019 by STXfilms. Playmobil: The Movie was panned by critics for being a perceived feature-length advertisement; most criticism was of the poor storytelling, generic songs, and worldbuilding problems, with several negative comparisons to The Lego Movie. It was also a box-office bomb, grossing $15 million on a $40 million budget, and in the United States had the worst opening weekend ever for a film playing in over 2, 300 theaters. [6] Plot [ edit] Marla is a formerly free-spirited girl who has grown up to be responsible yet overprotective in order to care for her brother Charlie, who has grown lonely and disconnected from her after the death of their parents. One night, Charlie sneaks out to visit a toy museum with a Playmobil exhibit. After Marla arrives and scolds Charlie for running away, a lighthouse illuminates them and transports them to the Playmobil world. Marla and Charlie find themselves in the middle of a Viking battle, and Charlie helps them until he is kidnapped by some pirates. Frantic to find her brother, Marla goes to the nearest town hoping to ask for help, and runs into Del, the driver of a food truck whose client refuses to pay him over pink hay that causes the town's horses to sprout wings. As Marla tries to form a posse to find Charlie, Del gets her out of trouble when she shows Viking gold to the whole town, and agrees to help Marla find her brother in exchange for the gold. Marla and Del run into Rex Dasher, a secret agent and an old friend of Del. Rex explains that a number of characters have disappeared, and the group sneaks into a villainous spy headquarters to find information about the disappearances. Despite some issues, they successfully gather the data and escape, but Rex is later captured by the pirates. He is taken away to Constantinopolis and finds Charlie, who had been locked up with other characters by Emperor Maximus, who intends to have the prisoners fight to their deaths. Rex tells Charlie that Marla had been looking for him, which encourages Charlie to break away. However, he later allows himself to be recaptured so the other characters could escape. Del recognizes that a device used by the pirates belongs to Glinara, an alien crime lord. After meeting with her in exchange for information, Del offers to pay twice as much as he owes her. Glinara agrees and reveals that she sold the device to Maximus. However, Del is unable to uphold his end of the bargain, as Marla only had two pieces of gold left. Angered, Glinara captures them and attempts to drop them into a portal, but they are spared by Glinara's robot servant Robotitron, who hacks the portal and drops the group into a forest. Del leaves the group, upset by Marla's deception. Marla and Robotitron get lost in the forest until Marla accidentally hits a fairy godmother, who encourages her to continue her search and sends her to Constantinopolis. Arriving at the city, Marla reaches a coliseum where Charlie is about to fight a Tyrannosaurus rex. Charlie and Marla work together to fight off the T-Rex, but to no avail. Del soon arrives with his food truck, and Marla uses the last of Del's pink hay to turn the T-Rex harmless. An enraged Maximus orders his guards to arrest them, but the guards reveal themselves to be Rex and the missing warriors, who then lock Maximus inside a cage. As everyone celebrates their victory, Marla and Charlie use the T-Rex to fly back to the lighthouse and return to the real world, where it is revealed that they were missing for only five minutes. On good terms, Marla promises to Charlie that their relationship will be mended. In a mid-credit scene, one of the security guards finds a figure of Maximus on the floor next to a cage. As he places him on top of Mount Olympus, Maximus's laugh is heard. Cast [ edit] Anya Taylor-Joy as Marla Brenner. Charlie's sister, who also voices Marla's Playmobil form. Lino DiSalvo cast Taylor-Joy for the "texture" of her voice, and described her performance as "believable and emotional. " [7] Gabriel Bateman as Charlie Brenner. Marla's brother, who also voices Charlie's Playmobil form. As DiSalvo explains, "when I met Gabriel, I totally saw a kid that Spielberg would cast. " [8] Ryan S. Hill plays a 6-year-old Charlie. Jim Gaffigan as Del. A food truck driver who supports himself with several side jobs and is Marla's best friend. Daniel Radcliffe as Rex Dasher. A secret agent who helps Marla. While normally reluctant to play spy roles in films, Radcliffe accepted the part of Dasher because "there is something incredibly fun about playing an unbelievably confident, kind of to the point of being an oblivious, person who is constantly undercut by other characters who make him realise that maybe he's not as smooth as he thinks he. " [9] As he explained on The Zoe Ball Breakfast Show, "Rex Dasher is a Playmobil version of James Bond. There's a ridiculous thing that will sound suitably ridiculous to your listeners, because they know that it would be ridiculous for me to play James Bond in real life. But because I have an English accent I go to America, a lot of people think and say something to the effect of, 'You should be James Bond. ' And I say, 'No, you're wrong. ' So the chance to play Playmobil James Bond was like, 'That seems a little more my speed. '" [10] On an April 2019 airing of The Graham Norton Show, Radcliffe displayed a figure of Dasher that was sent to him by the director. [11] Adam Lambert as Emperor Maximus. The tyrannical ruler of Constatinopolis. Heavily playing with Playmobil figures as a kid, Lambert stated that enjoyed playing the part: "He's an obnoxious, ridiculous, comical bad guy. [... ] He's got like Napoleon complex, he's incredibly narcissistic. He loves the sound of his own voice. He's spoiled. He's a brat. And he usually gets his way. " [12] He explained that he played the character as himself "on a really bad day, " and said performing the musical number was his favorite part of working on Playmobil. [13] Kenan Thompson as Bloodbones A pirate captain. In addition to the role's Broadway-level singing demands, the nasal-y-voiced Thompson also had to perform his lines in a guttural tone, which gave him a "headache. " [14] Meghan Trainor as The Fairy Godmother. An unnamed fairy godmother who Marla encounters in a forest. It was Trainor's childhood dream to play a fairy character, but also a very difficult task: "I’ve never smiled so hard in my life to make this girl happy and I was jumping up and down. " [15] Trainor's involvement in Playmobil: The Movie began while writing "Run Like The River" for her album Treat Myself. "I remember meeting someone who was like, this should be in the movie, " explained Trainor; and a week later, she presented the song to DiSalvo: "It looked like it blew his mind. " [15] Lino DiSalvo as Robotitron. A robot employed by Glinara. Maddie Taylor as Glinara. An alien crime lord. Kirk Thornton as Ook Ook Dan Navarro as Viking Leader Paloma Michelle as Valera, an Amazon warrior. [16] Spike Spencer [17] Production [ edit] Development [ edit] An animated feature film based on Playmobil figurines, produced by On Entertainment, Wild Bunch and Pathé, was announced in November 2014 and originally expected to be released at the end of 2017. [18] The film originally involved Bob Persichetti as director and screenwriter. The film would be the first in a trilogy of theatrical animated films based on Playmobil. Persichetti initially pitched the film to Sony Pictures Animation. Although Sony tried to buy the pitch, it fell through. He was eventually offered instead to direct the 2018 superhero film Spider-Man: Into the Spider-Verse. [19] The film was animated in On Animation's Canadian facilities. The film was also originally supposed to be distributed by Cross Creek Pictures. [20] ON Animation's producers acquired the rights for the film circa January 2016. [21] On 9 February 2016, Lino DiSalvo came on board to direct the $75 million budgeted film, replacing Persichetti. Dimitri Rassam and Aton Soumache of On Animation Studios produced the film. [22] [23] On 12 May 2016, Open Road Films acquired the US rights to the film, whose screenplay was written by Blaise Hemingway. It marks DiSalvo's directorial debut after spending 17 years at Walt Disney Animation Studios. Alexis Vonarb, Axel Von Maydell, and Moritz Borman also produced the film. [24] Maydell was first associated with the Playmobil brand fifteen years before the film's release, when he was involved in producing interactive games for the company. [25] Heitor Pereira 's involvement was announced on 21 June 2017. [26] On 17 November 2017, it was reported that Wendi McLendon-Covey would star in the film. [27] In June 2018, the film's production was underway and some details of the film were revealed, during a session at Annecy International Animated Film Festival. [28] In October 2018, lead voice cast was announced which included Anya Taylor-Joy, Gabriel Bateman, Daniel Radcliffe, Jim Gaffigan, Meghan Trainor, and Adam Lambert, while Trainor and Lambert would also write and sing original songs for the film. [29] Writing [ edit] DiSalvo instantly got to work on animatics following Open Road's acquisition, completing five animatics in Los Angeles in Montreal before work on the assets began. [21] The first 15 months of the film's production was spent in Los Angeles, with a crew of ten people. When the project moved to Montreal, 300 people ("more than half of the animation crew at a typical Disney movie") were involved. [21] Both DiSalvo and Hemingway, long-time friends, re-watched their favorite 1980s films like E. T. the Extra-Terrestrial (1982) in writing Playmobil; Hemingway explained that both the movie and the old-school films they referenced knew "how to find what is magical in the most mundane situations. " [30] The producers wanted to capture a child's emotion of playing with toys with Playmobil, [25] which meant DiSolvo had to research. He interviewed more than 200 fans of Playmobil from across the globe, [31] finding that the toy series was mostly enjoyed for its role play element, where "they don’t tell you who the hero is — the player defines who the hero is. " [21] Thus, he went for a role-playing vibe in writing the film's story. [21] DiSalvo also revisited his childhood home to look at the toys he played with as a kid. [32] The German Playmobil company also sent every Playmobil set ever released to the Los Angeles development location, and the writers used them to conceive characters. A food truck and a figure wearing a Hawaiian shirt, for instance, led to the creation of Del. [31] Initially, the writers planned Playmobil: The Movie to start with either a shot of an opening storybook or a narration, similar to most fairy tale movies. These ideas were rejected due to not being "organic" enough for the overall product. [21] They finally chose to have opening and closing live-action sequences: "Marla, has lost touch with the child’s point of view that she used to have. It felt right to show her in a live-action world where there is no magic. When she finds herself in a very magical situation — which is the entrance to the world of Playmobil, it becomes the catalyst for the whole movie. " [21] Animation [ edit] Playmobil: The Movie was animated with Autodesk Maya. [33] Julien Bocabeille supervised the film's animation team that consisted of 56 animators. [34] Being that Playmobil: the Movie was a story about wish fulfillment, the scale was one of the biggest priorities. According to production designer Rémi Salmon: "We see those toys from a kid's eyes, not what he has in front of him but what he imagines. The pirate in his hand has a stiff plastic cape, but when he plays, he sees the cape floating in the wind. " [21] The animators' biggest challenges came in the set designs and character animation. [34] While each Playmobil universe varied in tone and lighting due to their differing styles, they had to have some consistences with the Playmobil world. [34] The Fifth Element and the works of J. J. Abrams were influences in designing the city of Glinara. [35] Having "a touch of richness and life" in the film's Playmobil world depended on not just the lighting being "pushed pretty far in a very cinematographic way;" but also the characters, particularly their movements and textures. [21] While not entirely animated like humans and having plastic hair and skin, the toys were given "a 20 percent freedom to bend and stretch" and wrote actually cloth-made attire for close-up shots. [21] The animators had to work with limits that came with moving the Playmobil figures, especially when it came to animating faces. The faces are 2D shapes imposed onto 3D heads, meaning that big parts of how human faces are expressed (cheekbones, nose and jaws) are not present. [34] Coming up with a convenient workflow for animating 2D faces on 3D objects was another challenge, which Jeremy Ringard and Claude Levastre was responsible for. They first came up with the idea of modeling and rigging the features as 3D shapes, but this lead to problems of Z-fighting, intersection and "floating" appearances in close-up shots. [36] They then thought of a "texture flipbook" where the animators chose from a set of facial features in order to keep the look of the movie consistent; however, they figured that it would disallow any variations to the expressions and be very expensive due to the amount of storage, texture resolution and file management involved. [33] Finally, they came up with a system where the animators used 3D-rig-controlled 2D shapes that were converted as a dynamic texture applied on the 3D head in the viewport, and the animation would be rendered real-time through a shader free of resolution or sampling restrictions. [33] The car Dasher drives is a Porsche Mission E, the 2015 concept version of the Porsche Taycan; Playmobil is the Porsche's first appearance in a major film, and a remote-controlled Mission E toy was released as a movie tie-in. [37] Themes and style [ edit] Today, we have so many cynical movies and TV shows out there, but I wanted to make a movie about a family coming together. Hopefully, parents and their kids will feel the same way about the movie, and appreciate the truthfulness of Playmobil as we tried to explore the wonderful truth that’s in these toys. —  DiSalvo on the purpose of Playmobil: The Movie. [21] Many of us have seen James Bond 's films, Clint Eastwood 's spaghetti westerns, and cloak and sword films as children. When we started to talk about moving from one genre to another, we ended up like kids playing with their Playmobil in the living room! —  Playmobil producer Tito Ortiz [38] According to DiSolvo, the moral of Playmobil: The Movie is, "The only rules that matter are the ones you set. " [39] As Nick Hasted of The Arts Desk categorized Playmobil, "it’s a breezy B-movie in a genre aspiring to Mad comic satire and grand opera;" with a "unpretentious good nature" a la 1980s and 1990s after-school specials. [40] Due to Playmobil being set in a world filled with different universes, the film caricaturizes and plays with the tropes of several genres, including western films, fantasy, science fiction, and musicals. [32] In acknowledging inevitable comparisons to The Lego Movie, DiSalvo claimed, "The movie Lego relied a lot on comedy and wasn't so much driven by characters, while our film will follow more the Disney tradition of storytelling and is meant to appeal to girls as much as boys. " [28] According to Tito Ortiz, Playmobil is about the importance of forgiveness, tolerance, and unity in broken families. [38] DiSalvo also described Playmobil: The Movie as similar to the Tom Hanks film Big (1988), in that the main character has to think like a child to achieve her goal. [31] Its premise of two siblings being sucked into a fantastical setting also garnered comparisons by journalists to The Pagemaster (1994), [41] the Jumanji films, [41] and Pleasantville (1998); [42] while the use of a live-action opening and a brother-and-sister relationship was also in The Lego Movie 2: The Second Part (2019). [41] [43] Some reviewers noted the shedding of gender roles in Playmobil, including Hasted: "When DiSalvo detours to Playmobil’s girl-focused range with the arrival of Meghan Trainor’s tattooed fairy godmother and pink flying horses, Marla’s brisk bravery muddles gender stereotypes with similar irreverence. " [40] Caroline Siede honored the film's "Be anything you want to be" message for allowing Marla to be any type of character regardless of her gender, [41] and Charlotte O'Sullivan of the Evening Standard called her a better Susan Pevensie: "Though interested in lipstick, and keen on being grown-up, she is never dismissed as silly or vain. " [44] One NBC News review noted Dasher's "pointed jabs about sexist archetypes. " [45] Soundtrack [ edit] "Run Like the River" was released as a promotional single on 26 July 2019 from the film's soundtrack album, which was released on 2 August 2019. [46] Release and promotion [ edit] Playmobil: The Movie premiered as the opener of the 2019 Annecy festival, which ran from 10–15 June 2019. [47] As reported by Cartoon Brew, it "was widely criticized by festival attendees and caused large numbers of the audience to leave in the middle of the film. " [48] On 17 June, CineEurope presented a trailer and a clip of Playmobil. [49] Playmobil: The Movie had its first trailer released on 16 December 2018, with a release date set for 16 August 2019. [42] The second trailer was unleashed on 23 July 2019, the release date changed to 22 November. [50] [51] Each trailer present a different premise: the first presented the film as focusing on Marla trying to save his brother in a Playmobil. [42] while the second revealed the live-action segments and depicted it as being about Rex Dasher saving the Playmobil population from a secret organization. [52] Ben Pearson of /Film noted that the marketing strategy "trie[d] to shield its actual plot. " [52] He also called the film's animation promising: "While the characters are clearly simplified to match the Playmobil toys that inspired them, the animation looks pretty slick and there's some interesting lighting going on in a few of the shots on display here. " [52] Chris Evangelista of /Film wrote upon the first trailer's release, "It's pretty clear that Playmobil: The Movie is skewing to a young audience [... ] And while this may seem like a cynical cash-grab, many people felt the same way before the first LEGO Movie came out, until the final results proved to be surprisingly enjoyable. Maybe Playmobil will manage to do the same. " [42] CNET, also responding to the trailer, opined that "It looks fun and hopefully will boast the same universal appeal as the Lego Movie. " [53] Commenting on the second trailer, Screen Rant writer Mike Jones felt the humor had its "own charm and feel" despite being comparable to The Lego Movie: "there does appear to be a decent amount of fun, laughs and adventure on display. " [50] However, he also questioned the scheduling of "such a small scale" production being scheduled in a season having to compete with Jumanji: The Next Level and Star Wars: The Rise of Skywalker. [50] Collider 's coverage of the second trailer was ecstatic, noting its "fun" factor and opining it had the same meta humor style as The Lego Movie. [54] Sarah El-Mahmoud of Cinema Blend summarized, "the trailer showcases tons of fun action sequences with fast car chases, dinosaurs, and scared squirrels. ] One has to wonder if a connection to human kids will also be present in this movie as The LEGO Movie and Toy Story do. " However, with the awareness that the film was trying to capitalize on the fame of The Lego Movie, she also had skepticism toward its success due to the weak box office of The LEGO Movie 2: The Second Part. [55] A PopSugar journalist claimed, "damn, it looks good, " also showing enthusiasm for Radcliffe's appearance. [56] According to Geekspin, "a few people already have a hunch that the Playmobil movie will flop at the box office, " due to the superior popularity of Legos over Playmobil, and the film's lack of intellectual properties, and star power. [57] Playmobil: The Movie was released in France by Pathé on 7 August 2019, on 610 screens, and was released in the US by STX Entertainment on 6 December 2019. It was originally scheduled to be released in the United States by Open Road Films on 18 January 2019, [24] which was later delayed to 19 April 2019, [58] Due to the bankruptcy of Global Road, STX bought the U. S. distribution rights to the film in early April 2019, [59] and set the U. release date to 30 August 2019. On 5 August 2019, STX pushed the U. release date back once more to 6 December 2019, among other schedule changes of other films from STX that reportedly happened due to STX having limited cash flow, and wanting to pull their resources in to support Hustlers, although STX has denied that this was the case. [60] Upon its release in the United States on 6 December, STX reportedly encouraged theaters to offer tickets to all showings of the film for just US$5, a significantly lower cost than most American movie tickets. [61] The film news site Moviehole also gave away ten family passes of Playmobil. [62] In other territories, Playmobil was released to theaters in Belgium, the Netherlands, and Switzerland on 7 August 2019; [63] [64] [65] Bolivia and Israel on 8 August 2019; [66] [67] the United Kingdom on 9 August 2019, [68] Mexico and South Africa on 16 August 2019; [69] [70] Costa Rica, Nicaragua, Panama, Honduras, and Slovakia on 22 August 2019; [71] [72] [73] [74] [75] Germany, Singapore, and Thailand on 29 August 2019; [76] [77] [78] Poland on 23 August 2019; [79] Austria, Indonesia, Spain, and Venezuela on 30 August 2019; [80] [81] [82] [83] Egypt and the Philippines on 4 September 2019; [84] [85] Bahrain, Jordan, Kuwait, Lebanon, Oman, Qatar, the Dominican Republic, and the United Arab Emirates on 5 September 2019; [86] [87] [88] [89] [90] [91] [92] [93] South Korea on 11 September 2019; [94] Czech Republic, Malaysia, Paraguay, and Uruguay on 12 September 2019; [95] [96] [97] [98] Iceland on 13 September 2019; [99] Bulgaria and Sweden on 20 September 2019; [100] [101] Hungary on 26 September 2019; [102] Finland and Romania on 27 September 2019; [103] [104] Portugal on 3 October 2019; [105] Ecuador on 4 October 2019; [106] Argentina on 10 October 2019; [107] Estonia, Lithuania and Latvia on 25 October 2019; [108] [109] [110] Colombia on 7 November 2019; [111] and Australia on 12 December 2019. [112] In Australia, Seven Network 's show Sunrise promoted it with a giveaway where two winners received a Playmobil Prize Pack for both tickets to the film and toy sets. [112] The Sunday Times ran a contest where five people could enter to win tickets, with one of them winning an Instax mini-camera in addition. [113] On 4 February 2020, Playmobil: The Movie VR Adventures, a virtual reality video game, will be released on Steam. [114] Reception [ edit] Box office [ edit] Playmobil: The Movie has grossed $1. 1 million in the United States and Canada, and $14. 3 million in other territories, for a worldwide total of $15. 4 million. [4] [5] In France, Playmobil opened to 604 theaters before performing at a maximum of 683 in its third week; it opened at number five with an opening weekend ground of $963, 910, and by the end of its seven-week run, it grossed a total of $2, 627, 246. [115] In the United States, Playmobil: The Movie opened in 2, 300 theaters; [116] industry experts predicted the film would have a three-day opening gross of around $905, 000 [117] and would likely become a box office bomb. [118] Preview screenings on 4 December and 5 December were very low, 4 December totaling around $40, 000 and 5 December $230, 000. [3] As The A. V. Club summarized, "STX is dropping it into U. theaters the weekend after Thanksgiving without press screenings, giving it the authentic discount-bin appearance of a toy store going out of business. " [119] [120] The US marketing budget was limited to roughly $3 million, [121] RelishMix reporting a lack of social promotion of any of its stars except for one tweet from Trainor. [3] STX set the marketing money this low due to the film's poor international box office. [122] Boxoffice Pro analyzed the film "would open just two weeks after Frozen II, one week before Jumanji: The Next Level, two weeks before Star Wars: The Rise of the Skywalker, and less than three weeks before Spies in Disguise — all of which are shoe-ins to attract young audiences and dwarf potential interest in PLAYMOBIL. " [123] According to STX president Kevin Grayson, "This is a 52-week-a -year business and we were looking for an opportunity to utilize the early December play date. " [122] According to Deadline Hollywood, Playmobil was released only weeks after Frozen II and used a variable pricing strategy where STX and many theater chains offered $5 tickets. [3] Originally projected to gross $600, 000–$800, 000 on its opening day, Playmobil grossed just $167, 000, making it the third-worst opening day of all time for a 2, 000-plus theatre production, behind Delgo (2008) and The Oogieloves in the Big Balloon Adventure (2012); [121] fourth if counting the 2014 re-release of Saw (2004) and 24th if also including films with between 1, 000-1, 999 theaters. [124] [125] It went on to gross $660, 000 in its opening weekend (an average of $287 per-venue), the fourth-worst of all-time. [3] Shortly after the weekend, Grayson responded that STX would use variable pricing in their future projects: "we have already learned from this experiment. And we will continue to learn more and will tweak it for the future so it can be the benefit to the industry that we know it can be. " [122] While the film's several worldwide distributors recouped TV sale money, they also financed it via pre-sales and thus face losses. [122] Rebecca Rubin, a Variety writer, attributed the low box office to the Playmobil brand being far less popular than Lego. [122] Critical response [ edit] On Rotten Tomatoes, the film holds an approval rating of 16% based on 59 reviews, with an average rating of 3. 72/10. The site's critical consensus reads: "Much like the toys it advertises, Playmobil: The Movie seems sadly destined to be regarded as a superficially similar yet less desirable alternative to the competition. " [126] On Metacritic, the film has a weighted average score of 25 out of 100, based on 13 critics, indicating "generally unfavorable reviews". [127] Audiences polled by CinemaScore gave the film an average grade of "B+" on an A+ to F scale, while those at PostTrak gave it an average 1. 5 out of 5 stars, with 36% saying they would definitely recommend it to a friend. [3] In the PostTrak grade, adult audiences made up 31% of poll, children under 12 69%; the adult gave the film an average two-and-a-half stars, the kids under 12 around 3. 5 to four stars. [3] The New Zealand online publication Stuff named it "a strong contender for the worst film of 2019. " [128] Reviewers primarily criticized Playmobil: The Movie for being more of an advertisement than a compelling story that practiced its moral about being bold and adventurous. [129] [130] [131] [132] [133] [134] In a Rotten Tomatoes editorial, the site said critics generally called it "a regrettably mediocre outing that offers little aside from a barrage of colorful images and a brisk but ultimately generic and uninspired story. " [135] As, calling it "the worst animation of the year so far, " put it, "the story is boring, the characters are utterly unlikeable, and [... ] one is increasingly struck by the lack of anything new or interesting in the film whatsoever. Its lack of imagination or creativity is painful. " [136] A couple of reviews viewed it as part of a major problem of poorly-done toy films from Hollywood. [45] [131] Several reviews made negative comparisons to The Lego Movie, [132] [137] [133] [134] [138] such as a Variety review by Day Lodge that summarized Playmobil: The Movie as The Lego Movie "but without that blockbuster's dizzy, self-aware wit and visual invention. " [130] Nell Minow wrote that "it does not even work as a commercial, never showing us why these toys could be especially fun to play with, " and called the settings and toys "bland and generic. " [139] Some critics found it way too safe for a film about imagination, [133] [43] including Katherine McLaughlin of The List: "The references are simply too familiar to excite, as it coasts along on nostalgia and a well-worn formula. " [43] According to The Observer, " Playmobil shamelessly steals ideas. This eyesore of a cash-in lifts plot elements from Thor and Jumanji, then thinly threads them together with a few songs and shrill mantra about the need for adventure. " [140] Multiple errors in worldbuilding were spotted by critics, [141] such as its odd mixture of replications of historical and fictional settings; [142] and the overly-realistic textures [142] and movements of the Playmobil figures. [143] [139] As Minow explained, "After a whole scene establishing the limited mobility of the Playmobil characters, they suddenly switch to being able to have human-like joints and range of motion. " [139] Clariss Loughrey asked, "Shouldn’t everything be plastic? Then why do the horses have fur? " [142] Yolanda Machado noted, "Marla can’t figure out how to walk without the use of knees and yet, a minute later, she’s running. " [141] Maryann Johanson noticed even more issues with the figure movements: "A big joke is made out of how Marla, in her Playmobil body, can't walk because she has no knees... and then knees inexplicably appear and she can walk fine. Everyone has elbows, too, which the toy figures also don't have. And everyone is stuck with those clamshell hands, yet are still able to manipulate chopsticks. " [144] As Paul Whitington felt, "the themed kingdoms they visit only seem to have been chosen because Playmobil do toys based on these scenarios: sometimes, as in the wild west sequence, they are passed through virtually without comment. " [145] The live-action sequences also garnered some derision; [134] one reviewer opined it felt "like something out of an ‘80s movie, " [45] while another panned the sequence's stiff direction. [40] Salt Lake City Weekly called all of the film's concepts "all pointlessly random and head-smackingly dumb, even when it sounds on paper like it might be funny. " [146] According to Machado, Playmobil: The Movie suffered from storytelling "whiplash, " using the "mishmash of odd characters" and the sudden death of the main characters' parents as examples. [141] The A. Club criticised the choppy plot and erratic pace, reasoning it made Playmobil: The Movie "poorly conceived at every story turn, unable to even stick to a particular generic message to make up for its extremely basic humor. " [147] The film's hurried speed also came up in a Radio Times review that stated it "never stops long enough to make its story memorable. " [148] Lodge wrote the film had so little amusement it was absent of sight gags, [130] while Minow bashed the inclusion of parental death as too dark for a kid's film. [139] An RTÉ review called its emotional moments "heavy-handed and forced, " and criticized the parents' death as "solely a plot device for the sake of plot device. " [149] The songs were also called forgettable, generic, and "terrible" by several journalists; [139] [134] [130] [41] [136] one wrote that they "have remarkably little melodic staying power, " [130] and another analyzed, "there’s no chorus and the characters simply just say things to a tune. " [142] However, some reviewers did highlight Taylor-Joy's singing on the opening number. [142] [41] Playmobil: The Movie wasn't without supporting reviewers. Siede was appreciative towards the "low-key, non-judgmental" writing of the film, praising it for being more "heartfelt and earnest" than other "crass and cheap" offerings usual for children's flicks. [41] O'Sullivan summarized, "for a movie so clearly doubling as product placement, it’s also fun, a cartoon (bookended by live-action sequences) which allows talented actors to riff on unexpected themes. " She called the characters of Del and Rex "properly funny. " [44] Most admirations came towards the characters and performances, especially Radcliffe's voice-acting, [142] [40] [43] the campy villain Emperor Maximus, [45] [150] [142] [40] and Taylor-Joy's acting. [43] [40] Hasted opined, "Taylor-Joy’s tendency towards introverted, perhaps dangerous outsiders [... ] finds little outlet in mostly mild Marla, but still makes her harassed heroine warmly sympathetic. " [40] References [ edit] ^ "PLAYMOBIL THE MOVIE (U)". British Board of Film Classification. Retrieved 17 June 2019. ^ "Playmobil, le film (2018)".. ^ a b c d e f g D'Alessandro, Anthony (7 December 2019). " ' Frozen 2' Already Past $300M+ Leading Dreary December Weekend With $34M+, 'Playmobil' Plummets To $702K". Deadline Hollywood. Retrieved 7 December 2019. ^ a b "Playmobil: The Movie (2019)". Box Office Mojo. IMDb. Retrieved 2 March 2020. ^ a b "Playmobil: The Movie (2019)". The Numbers. Retrieved 7 January 2020. ^ ^ "Anya Taylor-Joy is Marla". ON Kids & Family. 29 August 2019. 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"Open Road Changes Release Dates for 'Midnight Sun', 'Show Dogs' & 'Playmobil ' ". Retrieved 27 February 2018. ^ Wiseman, Andreas (4 April 2019). "STX Boards U. Rights To 'Playmobil: The Movie' Featuring Daniel Radcliffe, Meghan Trainor, Adam Lambert, Anya Taylor Joy". Retrieved 25 August 2019. ^ Fleming, Mike, Jr (2 August 2019). "After Denial, STX Moves 'Playmobil' From August 30 to December 6". Deadline Hollywood. ^ Mendelson, Scott. "Friday Box Office: 'Playmobil' Bombs As Hollywood Again Ignores The Lesson Of 'The Last Samurai ' ". Forbes. ^ Griffiths, Mandy (9 December 2019). "Win one of 10 Family Passes to PLAYMOBIL: THE MOVIE". Moviehole. Retrieved 9 December 2019. ^ "Playmobil: The Movie (Belgium)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Netherlands)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Switzerland)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Bolivia)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Israel)". 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Retrieved 8 December 2019. ^ "Playmobil: The Movie (Venezuela)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Egypt)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Philippines)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Bahrain)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Dominican Republic)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Jordan)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Kuwait)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Lebanon)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Oman)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Qatar)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (United Arab Emirates)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (South Korea)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Czech Republic)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Malaysia)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Paraguay)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Uruguay)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Iceland)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Bulgaria)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Sweden)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Hungary)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Finland)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Romania)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Portugal)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Ecuador)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Argentina)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Estonia)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Latvia)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Lithuania)". Retrieved 8 December 2019. ^ "Playmobil: The Movie (Colombia)". Retrieved 8 December 2019. ^ a b "Win 'Playmobil' movie tickets and a prize pack". Seven Network. 2 December 2019. Retrieved 5 December 2019. ^ "WIN a family pass to Playmobil: The Movie PLUS a Fuji Film Instax Mini Camera". The Sunday Times. 21 November 2019. Retrieved 5 December 2019. ^ "Playmobil: The Movie VR Adventures". Steam. Retrieved 11 December 2019. ^ "Playmobil: The Movie (France)". Retrieved 8 December 2019. ^ Rubin, Rebecca (3 December 2019). " ' Frozen 2' to Ice Out Box Office Competition Again". Retrieved 4 December 2019. ^ Milligan, Mercedes (6 December 2019). "Industry Watchers Predict a Rough Week for 'Playmobil ' ". Retrieved 7 December 2019. ^ Scott, Ryan (4 December 2019). " ' Playmobil: The Movie' Doesn't Stand a Chance Against 'Frozen 2' This Weekend". MovieWeb. Retrieved 5 December 2019. ^ "A Skywalker will rise and awards contenders will compete this December at the movies". The A. Club. 5 December 2019. Retrieved 5 December 2019. ^ Barnhardt, Adam (6 December 2019). "Playmobil: The Movie Projected to Bomb at the Box Office".. Retrieved 6 December 2019. ^ a b McClintock, Pamela (7 December 2019). "Box Office: 'Frozen 2' Crosses $800M Globally, Ices 'Playmobil: The Movie ' ". Retrieved 7 December 2019. ^ a b c d e Rubin, Rebecca (9 December 2019). "Box Office Bomb: 'Playmobil' Flops in Historic Fashion". Retrieved 9 December 2019. ^ Robbins, Shawn (11 October 2019). "Long Range Forecast: The Calm Before December's Box Office Storm". Boxoffice Pro. Retrieved 7 December 2019. ^ Mendelson, Scott (7 December 2019). Forbes. Retrieved 7 December 2019. ^ Barnhardt, Adam (7 December 2019). "Playmobil: The Movie May Set Record for Lowest Box Office for Film Opening in Over 2K Theaters".. Retrieved 8 December 2019. ^ "Playmobil: The Movie (2019)". Rotten Tomatoes. Retrieved 12 December 2019. ^ "Playmobil: The Movie Reviews". Metacritic. Retrieved 10 December 2019. ^ Tuckett, Graeme (12 December 2019). "Playmobil: The Movie: Everything is awful". Stuff. Retrieved 12 December 2019. ^ Collin, Robbie (8 August 2019). "Playmobil: The Movie review: like being beaten over the head with the Argos catalogue". The Daily Telegraph. ^ a b c d e Lodge, Guy (7 August 2019). "Film Review: 'Playmobil: The Movie ' ". Variety. ^ a b Stewart, Sara (5 December 2019). "Toysploitation films: Enough already! ". New York Post. Retrieved 5 December 2019. ^ a b Hunter, Allan (11 June 2019). " ' Playmobil – The Movie': Annecy Review". Screen Daily. Retrieved 5 December 2019. ^ a b c Mintzer, Jordan (10 June 2019). " ' Playmobil: The Movie': Film Review". Retrieved 5 December 2019. ^ a b c d Clarke, Daniel (7 August 2019). "Playmobil: The Movie – Shameless, terrible promo for German plastic dolls". The Irish Times. Retrieved 5 December 2019. ^ Fujitani, Ryan (6 December 2019). " Dark Waters Is Certified Fresh". Retrieved 6 December 2019. ^ a b Molumby, Deirdre (9 August 2019). "Playmobil: The Movie".. Retrieved 7 December 2019. ^ Bradshaw, Peter (9 August 2019). "Playmobil: The Movie review – borderline dopey kids' adventure". The Guardian. Retrieved 5 December 2019. ^ Schneider, Steve (4 December 2019). " ' The Aeronauts, ' 'Playmobil: The Movie' and more films opening in Orlando". Orlando Weekly. Retrieved 6 December 2019. ^ a b c d e Minow, Nell (6 December 2019). "Playmobil: The Movie movie review".. Retrieved 6 December 2019. ^ Ide, Wendy (11 August 2019). "Playmobil: The Movie review – a fake plastic copy". The Observer. Retrieved 7 December 2019. ^ a b c Machado, Yolanda (7 December 2019). " ' Playmobil: The Movie' Review: Feature-Length Toy Commercial Lacks Wit and Heart". TheWrap. Retrieved 7 December 2019. ^ a b c d e f g Loughrey, Clarisse (8 August 2019). "Playmobil: The Movie, review: A feature-length toy ad that has little of substance to offer". The Independent. Retrieved 6 December 2019. ^ Richards, Olly (5 August 2019). Empire. ^ Johanson, Maryann (5 December 2019). "You'll be wishing for Lego while enduring the plastic horrors of Playmobil: The Movie ". Inlander. Retrieved 7 December 2019. ^ Whitington, Paul (8 August 2019). "Playmobil: The Movie review: 'An oddly joyless little animation - goes about its business with brisk, dead-eyed efficiency ' ". Irish Independent. Retrieved 6 December 2019. ^ Renshaw, Scott (6 December 2019). "Movie Reviews: The Aeronauts, Honey Boy, Playmobil, Waves". Salt Lake City Weekly. Retrieved 7 December 2019. ^ Hassenger, Jesse (6 December 2019). "Playmobil: The Movie should have stayed in the toy box, or at least gone direct to streaming". Retrieved 6 December 2019. ^ Luxford, James. "Playmobil: the Movie". Radio Times. Retrieved 7 December 2019. ^ Brennan, Sinead (8 August 2019). RTÉ. Retrieved 7 December 2019. ^ Dotson, Spleeny (12 August 2019). Starburst. Retrieved 7 December 2019. Works cited [ edit] "Playmobil: the Movie Presskit" (PDF). UniFrance (in French). 2019. Retrieved 5 December 2019. Ringard, Jeremy; Levastre, Claude (28 July 2019). "Facial pipeline in playmobil: the movie". SIGGRAPH. Retrieved 7 December 2019. External links [ edit] Playmobil: The Movie on IMDb.

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  1. Correspondent - Newlyn Filmhouse
  2. Bio: We are an independent two screen cinema with a cafe/bar and restaurant. We offer the best of mainstream and world cinema in an old converted fish warehouse.

genres Fantasy; Year 2019. Escoge tu ciudad y cine de preferencia O escribe el nombre de tu cine favorito Usaremos tu ubicación para ofrecerte las mejores películas en los Cinemex más cercanos. Encontrar mi ubicación automáticamente Ayúdanos a encontrar las películas y horarios ideales para ti. Obteniendo tu ubicación Es posible que tu navegador solicite permiso para acceder a tu ubicación. Haz click en "Permitir" para localizar tu Cinemex más cercano. O puedes ingresar ubicación manualmente Estos son los cines que encontramos cerca de ti, selecciona tu preferido: Cerrar Ya puedes pagar tus boletos con los puntos Invitado Especial Obtén tu NIP de transacciones para comenzar a disfrutar de este beneficio. Comenzar Invitado Especial Ingresa tu número de Invitado Especial Generar NIP Obtén tu NIP de transacciones y podrás pagar tus boletos utilizando tus puntos de Invitado Especial. ¡Felicidades! Tu NIP de transacciones ha sido enviado a tu correo electrónico. Continuar Cerrar.

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Publicado: 7 feb 2010 05:21 GMT Bailarines del Teatro Bolshoi actuarán en Cuba por primera vez desde 1980. La actuación será parte del programa de la Feria del Libro de La Habana que este año tiene a Rusia como país invitado de honor. Los bailarines del Bolshoi actuarán el próximo día 13 de febrero junto con el Ballet Naci Los bailarines del Bolshoi actuarán el próximo día 13 de febrero junto con el Ballet Nacional de Cuba (BNC) en el teatro Karl Marx, de La Habana. Los primeros bailarines isleños Anette Delgado, Sadaise Arencibia, Viengsay Valdés, Javier Torres y Elier Bourzac compartirán la escena con sus colegas rusos. Se interpretarán las obras clásicas como Cascanueces, El Corsario, Espartaco, fragmentos de El lago de los cisnes, Giselle y del ballet Carmen. Foto: el ballet Giselle del teatro Bolshoi / RIA Novosti El Bolshoi, que no se ha presentado en Cuba desde 1980, es la segunda compañía de ballet de fama mundial que visita los escenarios habaneros tras las exitosas actuaciones realizadas por el Royal Ballet de Londres a mediados del año pasado. Al mismo tiempo, el BNC ya compartió escenario con otro teatro de ballet el pasado mes de enero, cuando se unió con el Ballet Juvenil de Hamilton (Canadá) para la interpretación de Cascanueces. La 19ª Feria Internacional del Libro de Cuba se realizará del 11 al 21 de febrero de 2010 en La Habana bajo el lema "Leer es crecer". El pabellón ruso ocupará un espacio de 450 metros cuadrados en el que los visitantes podrán conocer 3. 500 libros de varias editoriales rusas. De este país a la feria asistirán escritores, poetas, traductores, representantes de editoriales, actores, personalidades del arte y el elenco del teatro más conocido de Rusia, entre otros.

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